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Products tagged with: musicians
10 For 10 Sheet Music All-Time Favorite Pop Hits Piano/Vocal/Chords
10 for 10 Sheet Music: All-Time Favorite Pop Hits contains 10 of your favorite pop hits, all professionally arranged. Titles: Because You Loved Me (Celine Dion) Endless Love (Diana Ross and Lionel Richie) Home (Michael Bublé) Over the Rainbow (Israel "Iz" Kamakawiwo'ole) The Prayer (Andrea Bocelli and Celine Dion) Right Here Waiting (Richard Marx) The Rose (Bette Midler) Time After Time (Cyndi Lauper) The Wind Beneath My Wings (Bette Midler) You Raise Me Up (Josh Groban).Series: 10 for 10 Sheet Music Instrument: Piano/Vocal/Chords Page count: 56 ISBN: 0739056387
A Days Work Pick Assist Deluxe Package
The A Day's Work Pick Assist Primary Package offers a lot of options at a tremendous value. This 6 piece package is the equivalent of purchasing 7 separate pick assists. With this pack the knobs on the end of the pick assists are removable. Primary package includes a 7/8", 1 1/4", 1 3/4" knobs plus a small handle, mid handle and long handle pick assists.
A Days Work Pick Assist Primary Package
The A Day's Work Pick Assist Primary Package offers a lot of options at a tremendous value. This 5 piece package is the equivalent of purchasing 6 separate pick assists. With this pack the knobs on the end of the pick assists are removable. Primary package includes a 7/8", 1 1/4", 1 3/4" knobs plus a small handle and a mid handle pick assist.
A Days Work Therapy Long Pick Assist 11" Handle
The pick assist is an aid for the client to use in a strumming motion. The A Day's Work Long Handled Pick Assist allows the therapist to position their hand behind a client's hand. The pick may be rotated to accommodate position. Ideal product for music therapists to work with clients in the facilitation of motion.
A Days Work Therapy Mid Handle Pick Assist 1 1/4 Inch Knob
The A Day's Work Pick Assist is an aid for the client to use in a strumming motion like for a guitar or autoharp. The Mid Handle series of pick assists are great for children with larger hands, teens and adults. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Pick assists are an ideal product for music therapists to work with clients in the facilitation of motion.
A Days Work Therapy Mid Handle Pick Assist 1 3/4 Inch Knob
The A Day's Work Pick Assist is an aid for the client to use in a strumming motion like for a guitar or autoharp. The Mid Handle series of pick assists are great for children with larger hands, teens and adults. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Pick assists are an ideal product for music therapists to work with clients in the facilitation of motion.
A Days Work Therapy Mid Handle Pick Assist 7/8 Inch Knob
The A Day's Work Pick Assist is an aid for the client to use in a strumming motion like for a guitar or autoharp. The Mid Handle series of pick assists are great for children with larger hands, teens and adults. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Pick assists are an ideal product for music therapists to work with clients in the facilitation of motion.
A Days Work Therapy Mid Handle Pick Assist Without Knob
The A Day's Work Pick Assist is an aid for the client to use in a strumming motion like for a guitar or autoharp. The Mid Handle series of pick assists are great for children with larger hands, teens and adults. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Pick assists are an ideal product for music therapists to work with clients in the facilitation of motion.
A Days Work Therapy Pick Assists 1 1/4 Inch Knob
The Pick Assist is an aid for the client to use in a strumming motion. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Ideal product for music therapists to work with clients in the facilitation of motion.For those who are challenged to hold a small pick.Assists are 3 3/4" long without knob.Knob can help increase grasping.Pick can be placed at any position 180 degrees around holder end.Tightening knob holds pick firmly in place.
A Days Work Therapy Pick Assists 1 3/4 Inch Knob
The Pick Assist is an aid for the client to use in a strumming motion. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Ideal product for music therapists to work with clients in the facilitation of motion.For those who are challenged to hold a small pick.Assists are 3 3/4" long without knob.Knob can help increase grasping.Pick can be placed at any position 180 degrees around holder end.Tightening knob holds pick firmly in place.
A Days Work Therapy Pick Assists 7/8 Inch Knob
The Pick Assist is an aid for the client to use in a strumming motion. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Ideal product for music therapists to work with clients in the facilitation of motion.For those who are challenged to hold a small pick.Assists are 3 3/4" long without knob.Knob can help increase grasping.Pick can be placed at any position 180 degrees around holder end.Tightening knob holds pick firmly in place.
A Days Work Therapy Pick Assists Pick Assists
The Pick Assist is an aid for the client to use in a strumming motion. Options include various sized knobs to use as a grip. The pick may be rotated to accommodate position. Ideal product for music therapists to work with clients in the facilitation of motion.For those who are challenged to hold a small pick.Assists are 3 3/4" long without knob.Knob can help increase grasping.Pick can be placed at any position 180 degrees around holder end.Tightening knob holds pick firmly in place.
A Designs 500-Blue Microphone Preamplifier
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Blue The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more "airy" top end tone. When used with a "dark"-sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp "crack" sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you'll want to use the EM-Blue's DI and 20dB pad, and crank the gain for a slight growl. Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromis
A Designs 500-Red Microphone Preamplifier
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Red The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the input transformer as well. The result is more "up front mids"! You'll find this very useful when recording acoustic guitar with a condenser microphone. You can also use the EM-Red for recording toms, both rack and floor. As with all the A Designs Audio modules, the EM-Red is VPR Alliance compliant, and features a 48V phantom power switch, DI input, and phase reversal switch. Solid build quality and functionality The A-Designs EM-Red features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Red is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromise. Requires the A Designs R52 (product # 180038) dual slot external power supply (See accessory box below). The EM-Re
A Designs 500-Silver Microphone Preamplifier
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. The sound of the EM-Silver The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Silver has a custom wound steel output transformer, which outputs a darker sound than the P-1, EM-Red, and EM-Blue, great for adding body to thin vocals. The EM-Silver is also very good match with ribbon microphones, which makes sense because steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. The sound/color/flavor you'll receive depends which ribbon mic you have. With today's influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. Thanks to the DI and its darker sound, the EM-Silver is a great pre for bass guitar and keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! All in all, the Silver is a very versatile tool. Solid build quality and functionality The A-Designs EM-Silver features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and ph
A Designs 500Hr Rackmount Frame For 500 Series Modules
The 500HR is a dual-slot, single-space, rack-mounted frame with power supply for A-Designs and other 500 Series compatible audio modules including: A-Designs EM-PEQ Equalizer #241581 A-Designs EM-Gold Preamp Module #180029 A-Designs P1 Single Channel Microphone Preamp Module #189906 A-Designs 500-Red Microphone Preamplifier #189907 A-Designs 500-Blue Microphone Preamplifier #189908 A-Designs 500-Silver Microphone Preamplifier #189909 You are able to use the 500HR and A-Designs module combinations in four basic ways: Loaded with two preamps it becomes a dual-channel mic preamp Loaded with two EQs, it is a dual-channel EQ Loaded with one preamp and one EQ it is a complete pre/post EQ recording channel Use one preamp and the EQ in the 500HR and bypass your pre on your guitar/bass/keyboard amplifier and have a totally different amp for any live situation! Compatible with all the A-Designs 500 series modules Internal regulated power supply with 48V phantom power Steel-chassis construction LED 48V indicator Included power cord Connections: Two XLR inputs, electronically balanced Two XLR, electronically balanced Will accept API 500 Series modules
A Designs Em-Gold Preamp Module
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound The A-Designs Audio Erickson Montessi - Gold microphone preamp module is designed to complement the other A-Designs preamp modules and further expand the sonic palette with its own unique frequencies. In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With a rack full of EM series preamps, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. Another color for the EM palette The EM-Gold combines the output transformer of the A-Designs EM-Silver, which will translate into a darker sound, and the input transformer of the A-Designs EM-Red, which gives you "up-front" mids. As a result, the EM-Gold brings more midrange frequencies to the lower end of the sonic spectrum, which makes it an excellent choice for drum miking (toms in particular). It also excels on various guitars (especially if you want that midrange "chunk" that moves the speakers), vocals, MP3/drum machines, and bass and if you've ever heard the A Designs REDDI, you know that nobody knows their way around bass tone better than A Designs Audio. Solid build quality and functionality The A-Designs EM-Gold features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Gold is another stellar example of the A Designs Audio miss
A Designs Jm3001 Solid State Mic Pre With Eq
The JM-3001 from A-Designs Audio is equally ideal for both studio recording and live sound use. Hand-built in the US, the new A-Designs JM30001 features three inputs: microphone, instrument and EQ/insert, which may be used together or independently. The product is also equipped with a highly musical three-band parametric EQ, high/low filters, and two independent transformer-balanced outputs (microphone and EQ).The heart of the JM-3001 is its C12X discrete-transistor operational amplifier designed by Carl Johnson. Operating on 30VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum, and is capable of driving a 50 ohm load at 50Hz with very little current draw. It is used in the microphone preamp, instrument input amp, and main output/EQ output stages of the product.According to A Designs' Peter Montessi, The JM-3001s preamp is an original design with depth and detail for miles, while the EQ is a full parametric with its own transformer, so you can use it with or without the pre. The freq settings are highly reminiscent of classic console filters and musically complement any source you run through them. The instrument input is totally separate from the pre and EQ and sounds amazing on its own as well." The JM-3001s microphone preamplifier is a single-stage, transformer-coupled and balanced I/O design benefitting from the C12X for ultra-transparent audio. This section feeds the EQ and preamp output mult simultaneously and includes phase reverse, a -20dB pad, +48V phantom power with LED indicator and a plastic conductive gain control pot.The instrument input preamplifier is a single-stage, single-ended, high impedance input designed primarily with guitar and bass pickups in mind. Similarly utilizing a C12X discrete op amp, this section is separate from the mic pre and includes a 1/4-inch phone jack and gain pot on the front panel. Like the mic preamp, this section also feeds the EQ and preamp output mult simultaneously.The equalizer input/insert return is a direct-coupled, balanced input that is post the mic pre and the instrument input. Inserting a TRS 1/4" phone jack into this connection allows for direct input to the equalizer, bypassing both the mic pre and instrument input.The JM-3001s three-band parametric equalizer is a unique design featuring 33 frequencies with three bands of overlapping ranges covering from 50Hz to 15KHz. Both the frequency selection and the 12 dB equalization controls are step-type switches for precise and repeatable settings. Each band has a Q switch with three fixed positions: sharp (S), wide (W) and narrow (N). The low and high bands are normally of a peak/dip type, but flipping the shelf switch to the up position on those bands changes the characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only.When in the up position, the high/low filters insert the fixed 12dB/octave high- and low-cut filters. These filters work
